Todd Benson
3/8/2009 9:50:00 PM
> configurable to train the user in any polyrhythm 2:3, 5:4, 11:17
11:17 is simply a modified 2:3, but I challenge anyone to do it with
any degree of precision at high tempo and only 2 references (2 keys).
If you can use your whole hand (as in playing a piano), it might be
easier. Scriabin, for example, would frequently throw his poor
pianist into 11:3, 9:4, etc. brief, but frequent, frenzies (see piano
sonata no. 1 in F minor).
Todd